This is especially important as context cannot help. As its vowel is slurred, this is not a problem. Doubling is not used when the vowel is an accented one, full strokes are used, to enable the outline to be vocalised. Doubled strokes are not quite so straightforward as normal length strokes to place in position: Downstrokes all go through the line, as their angle is steep and crossing the line cannot be avoided.
It is possible to start first position outlines higher up, but this does not really make a lot of difference and should not be relied upon. Occasional extra vocalisation would be a wise precaution. Upstrokes are written at a shallower angle, taking up less vertical space, and they can therefore have the normal three positions.
This is easier to achieve because the lowest part of the stroke is at the beginning — there is slightly more control over the beginning part of any stroke or outline than at the end. Horizontal strokes are positioned as normal, i. Where the doubled stroke is not the one that is being put in position i. Top of page Straight Strokes A doubled plain straight stroke looks identical to two of the same stroke in succession see below , and so doubling is only used when there are other attachments to help with the legibility of the outline.
Top of page rector director recruiter tractor stricter instructor propagator instigator allocator alligator electoral ejector projector objector banqueter nectar indicator protector protractor extractor adjudicator absconder speculator incinerator moderator twitter outwitter embroider illustrator bequeather persuader dissuader curator operator respirator macerator accelerator Top of page Curved Strokes Curved strokes are doubled for all the sounds.
Unlike straight strokes, no restriction is necessary because a double curved stroke does not resemble two of the same stroke in succession. As there is never a vowel after it, it never changes direction to indicate a following vowel, as the normal length Ell can sometimes do: penholder ventilator newsletter insulator insulter moneylender ringleader scolder helter-skelter, in this letter Note: alternative alteration alternator literal littoral lateral collateral poulterer Top of page Ing Doubling Ing adds -ker -ger The doubled stroke is exactly the same sound as the normal length hooked form, but is only used where the hooked form does not join easily or if it is the only stroke in the outline.
As the latter are less common, always vocalise them. As it is a short form, it is never vocalised, and it sits on the line. Top of page In Phrases Doubling can be used in phrases for "there their other dear". Generally all short forms consisting of a full stroke can be doubled to add these words.
An R sound is always represented in Pitman's Shorthand, despite the fact that many variations of English do not pronounce it clearly or at all. Dot Hay — a dot written next to the following vowel, used when the other methods are not convenient or possible. In compound words and derivatives, the form that joins best is generally used. Only used to represent the sound. A silent longhand H is not represented in shorthand.
As many examples as possible have been given, so that you can base new outlines on existing known ones. Take care that "hydraulic" and "hydro-electric" are not read for each other. Note that the downward Hay can only take a final Circle S when it is attached to another stroke, because only then is it obvious it is a Hay and not some other stroke. The first four are taking advantage of halving the Ray, and the last two are avoiding 3 straight strokes in succession which would be illegible: hortative heritage heritable horticulture heritor hierarchy Top of page Tick Hay Downward Hay is reduced to a tick i.
It therefore does not count as the first stroke when placing the outline in position and is not used if a vowel precedes it. The form offered here, using two of stroke Ray, accords with the accented vowels that follow them — take your choice. Top of page Tick versus full Downward Hay If the H sound has an initial vowel before, or triphone after, use the full stroke.
This is the only time that the stroke Hay indicates the presence of a vowel or triphone. Vocalisation should be considered, as in a phrase it is identical to Tick The. You cannot used both ticks together in a phrase: for whom, in her compare in the air Note the exact placement of first place vowels in regard to the tick — the vowel sign is placed at the extreme end of the stroke, necessary so that the vowel sign is not mistaken for a second place vowel. This does not mean that the vowel is spoken before the H — if there were a vowel before the H, you would be using a full downward Hay stroke to place it against.
Note also that the tick does not count as the first up or downstroke: ham haulm hem homestead hemstitch Top of page Dot Hay Use Dot Hay when the other forms cannot conveniently be written. It is only used if the resultant outline remains legible when unvocalised. The sign for a vowel that is sounded immediately before the H sound also remains with its own stroke, whether first second or third place vowel, because it cannot "jump" over the H, e.
If you omit the vowel sign, then also omit the Dot Hay. Dot Hay on its own is meaningless, but a vowel sign on its own is preferable, when hard-pressed, if you feel the outline needs it for clarity. The Dot Hay is the outer one of the two.
The two dots are not side by side in relation to the stroke. Immediately before and beside a dash vowel, which will vary according to the direction of the stroke. To the left side of a diphthong. Blackheath loophole pinhole manorhouse This can look similar to two vowel signs written together e. This hook is only used for inh- instr- inskr- The hook does not need vocalising, as the vowel is included in the meaning of the hook. The use of such an abrupt change of direction is always kept to an absolute minimum in the rules of Pitman's Shorthand.
Whichever method is used to write the Hay, the final shape is always the same, i. In the first two, the letter R is not sounded at all, the vowel is the same as that in "wool".
Not used if the word begins with a vowel. Never omitted unless it is replaced by the medial semicircle in a compound word or phrase. A vowel on that side counts as coming after the Ar: wear era arrow Final "-ward" "-wort" "-wart" are often represented by halved Way in compound words. It represents the W sound plus the following vowel sound, and replaces that vowel sign — it is written in the same place against the stroke as the vowel sign would occupy. Never used initially or finally in an outline.
May be omitted in fast writing in the same way as vowel signs are, as long as the outline remains readable and not ambiguous. If in doubt, it is safer to write it in. This is the same direction as the short forms "with" "when" which are both dot vowels. This is the same direction as the short forms "what" "would" which are both dash vowels. Mnemonic: you begin writing this one in the same direction as you write a horizontal dash vowel i.
The medial semicircle is occasionally called the "W diphthong" in some older books, reflecting the fact that it is made up of only vowels, even though sometimes it does the job of a consonant when it begins a syllable. As it requires some thought to decide when it is safe to use the medial semicircle instead of stroke Way, it is best to practice as many examples as possible, so that no hesitation occurs during dictation, hence the lengthy but not exhaustive list below.
The resultant outline must be unambiguous even when the semicircle is not written in. For the compound words, I have given the root word in the "compare" line. This allows the outline to reflect the words that the compound word is made from, making the outline more legible: memoir homework i.
Shorthand instruction books describe the strokes Hway and Hwel as representing "WH" and "WHL" which is referring to longhand and not to the sounds. It is better to associate the strokes with the sounds they represent, and treat the longhand spelling as a separate matter entirely. Even though many people do not pronounce the H, you should still learn the different forms because of their usefulness in providing distinguishing outlines and because the longhand still needs to be spelled correctly regardless of popular pronunciation.
Outlines should be consistent and not change to reflect people's differing pronunciation. This is not an additional hook to give an additional sound. It is therefore best to learn the stroke as a whole without mentally taking it apart into its constituent sounds. These two strokes are therefore not compound consonants.
Never written downwards. These two hooks add their sound to the Ell in the same way that Circle S adds its consonant before a stroke i. The aim is to keep related words looking similar, and have distinctive outlines for words that may have the same consonant structure but a different spread of vowels or different derivation.
Top of page Phrases and compound words Whichever form of W is used in the basic outline, this may change to one of the other methods when the word becomes part of a phrase or compound word. The main consideration is the ease of the join, producing a speedy and reliable outline, but the resultant outline must be easy to read back, even when vowels and unattached signs are omitted.
It is seldom necessary to insert any of the unattached semicircles when writing phrases, but they are shown in some of the examples, so that you know where the signs belong. Stroke Way replaced by medial semicircle. They also need to have a semicircle at all times, whether attached or unattached, because in phrases or compound words they could be read as "man" "men". The phrase "men and women" is common enough to remain unvocalised, but in other phrases vowels may be necessary to show whether these words are singular or plural.
The verb "will" in phrases is represented by a plain upward Ell and the semicircle is not necessary — it is always very clear what is meant and to insert it would defeat the purpose of the phrase, which is to gain speed. When "will" is used as a noun, it can take the semicircle, if felt necessary: will, I will, he will, that you will be, if he will have but goodwill freewill "Were" in phrases takes whatever form is easiest to write. Again, the meaning is always clear because the word groupings involved are so common, and medial semicircle or vowel signs need not be written: were, you were, they were "Well" in phrases does take a medial semicircle, but is easily omitted without losing clarity: well, very well, so well Rather than hesitate over semicircles during a dictation, you should use full strokes or write the two halves of the outline separately and then find out the correct outline later.
Even in longhand there is often a question over whether to write something as two words, a hyphenated word or one word. Writing a longer outline or two outlines is far preferable to hesitating and losing the next few words.
Making an awkward join, when separate outlines would be more readable and reliable, is also a hindrance. However, joining or not joining can indicate different uses of the same two words, shown up by where the emphasis falls in the sentence underlined. In the second of each of the sentences below, joining the outlines would be inappropriate and make the shorthand awkward to read back: I saw the cat-walk.
I saw the cat walk. This person is trustworthy. We can trust Worthy to do the job. We arrived last week. His last weak excuse was not accepted. Short Form Why This sign is unlike any other. Prior to the Centenary version of Pitman's Shorthand in , this was the sign for the W or HW plus the "eye" sound, as in "wife" "Wight" "white", and also the short form "why" that we still use.
It behaved like the W semicircle — sometimes joined initially to certain strokes, sometimes unattached medially. Longhand often uses the letter W to indicate a long vowel. To continue the direction of curve of the preceding or next stroke, or its hook or circle, i. Make a legible join with the next stroke in the outline. This may necessitate ignoring the rule of similar motion. With certain strokes, to differentiate between words that have an initial or final vowel and those that do not.
Vowel indication only occurs in cases where both directions of Ell are equally convenient. Some of the words naturally fall into pairs e. An initial downwards Ell cannot take an initial circle or loop. Note the placing of the vowel signs against the Ell: first place vowels are written at the beginning of the stroke, which with downwards Ell is at the top.
In such cases it is behaving similarly to stroke Chay. This does not produce an ideal join to the Ell shallow angle, and both strokes going backwards but does allow similar motion between the En and Ell. Presumably the thickness of Jay helps readability despite the poor join compare with "unlatch" below. Ell used in phrases for "will" is normally upwards. Special outlines London Londoner Londonderry but generally thus: Landon Linton After small Shun Hook, follow the motion — most of them have downward Ell: sensational positional conversational transitional compensational Top of page e These not only continue the motion, but also produce compact outlines with clear sharp joins film fulminate volume voluminous vellum Velma realm column columnar calumny Coleman calamity coulomb calamine columbine Colombo Columbus skulk skullcap but skulker onlooker to join the Ker helterskelter compare skelter scolder scalder — one might expect upwards Ell in the second part of "helterskelter" in order to retain the direction of the circle, but compactness is more important here.
For compactness: unwarlike mirrorlike lawyerlike Compare warlike warily rarely relic Top of page 2. Clear join with preceding or next stroke Downwards Ell does not always make a good join with the following stroke, or may produce an outline with too much backward movement, so in some cases the rule of similar motion cannot be used.
With some of the words beginning "-un" this has the incidental advantage of retaining the outlines they are derived from: inlaid unlaid unled unload unladen unladylike unlatch unlearn unlovable unleavened unleash unlettered unlighted unlikelihood unlaboured unlabelled unsullied insulted unsling enslave unsaleable facile but facility fuselage fossilology footslog Note distinguishing outlines: unsold unsoiled unsold has the shorter outline as it is the most frequent word; outlines with diphthongs very often keep the strokes in full Hook L is used in a few instances even though vowels may intervene where it produces a brief and distinctive outline that cannot clash with anything else more such outlines on Theory 7 Hooks R L page : analytic enliven molecule Top of page 3.
Vowel indication For initial and final Ell, and only with certain strokes, different in each case. Vowel indication never occurs medially — medial Ell is chosen only for convenience and to a lesser degree to show derivatives. Downward Ell standing alone never takes a hook, as this would look like stroke Wel. Normal upwards Ell is used, which also achieves similar motion: scrawl scrawly scroll scrolly secretly The rule for final vowel indication is stretched to include these: actual actually structural structurally artistical artistically fantastical fantastically statistical statistically logistical logistically egotistical egotistically These follow similar motion, but do not vary for final vowel indication: intellectual intellectually conjectural conjecturally electoral Note: electorial When a suffix is adding another L sound to a word that already ends in L, the outline repeats the Ell, to reflect the lengthened pronunciation.
Only an extra final dot is needed: weasel weaselly tinsel tinselly It is always helpful to insert the final vowel sign if the outline itself does not show whether there is a final vowel or not. A small number of words with halved strokes take a downward Ell to achieve similar motion with the preceding curve, hook or circle.
Such words generally do not come in pairs like "full fully" and so similar motion is the only issue: completely boldly bloodless softly swiftly exactly adequately worldly Compare proudly broadly sprightly strictly contritely where the normal upward Ell achieves similar motion as a matter of course.
Note also short form coldly. Top of page Derivatives Some derivative outlines may change the direction of the stroke Ell.
In those cases the Ell is repeated. This section on negatives points up the necessity for shorthand writers to have a good grasp of how English words are formed and their meanings. These and similar negatives are also described on Theory 18 Prefixes page.
This is the same liberty that is being taken when the first place "I" diphthong is joined to the end of the stroke e. The short form includes the L sound, so no stroke Ell is required: almost always all-wise all-round all-rounder almighty already although altogether all-important all-in Top of page Downstroke Ler Downward Ell is thickened to add the unaccented sound of "-er".
It is it is only used where a downward Ell would normally be used, i. No vowel sign is required for the unaccented vowel within it. The stroke Ld is always written downwards. No vowel comes between the L and D sounds, and no vowel comes after it.
Ray joins better in most combinations. It is faster to write than Ar and, because there are more downstrokes than upstrokes in Pitman's Shorthand, using Ray keeps a large number of outlines from descending too far.
If the vowel calls for Ar, it is used where it joins well, mainly before horizontal or upstrokes: barely bearskin Brierley terseness tiresome tireless sparsely scarcely securely doorman determine similarly requirement diurnal angular binocular Ar is sometimes used before a right clockwise curve to gain a more flowing outline, despite a vowel following it: quarrel squirrel flourish aneurism neural neuralgia but neurotic neurosis Top of page 3.
A non-standard suggested contraction could be to disjoin or intersect stroke En with "surmountable" and write in 3rd position. Before Kay Gay vowel indication is often possible: fork ferric forego farrago cork Carrick cargo Garrick clerk cleric lark lyric Sark cirque sarcasm circus circuit stark Syriac Syracuse sirocco stearic resurrect insurrection Top of page 5.
Keeping them in your vocabulary notebook whenever they are encountered is helpful, so they can be practised further. After 2 downstrokes use Ray to keep the outline from descending too far: prepare despair disappear aspire stapler taxpayer ratepayer horse-power proposer trespasser Shakespeare occasionally Shakespere babbler troubler butler splutterer totterer chatterer hairdresser discoverer ditherer tax-gatherer treasurer bookstore downstairs upstairs endorser brigadier bugbear blusterer pesterer plasterer Note: fosterer to avoid awkward join After Eff and Vee, Ar gives a more facile outline, which outweighs having 3 downstrokes: pacifier testifier defier decipherer justifier exemplifier baffler trifler muffler shuffler shoveller Top of page 2.
The resulting join between Ray and Ar is not ideal, so care is needed to write accurately: rarer roarer hurrier hairier abhorrer adherer but horror horary Note the following where the hook or circle shows the junction: harasser rehearse rehearser resorter referrer reverter heronry hero-worship The above outlines need not invade the line above, because they are written at a shallow angle.
Invading the line above is not critical, because that line is already written; descending too far is more to be avoided because you will have to jump over the lower part of that outline when writing on the next line. Top of page 7. This is in contrast to single syllable derivatives, which generally change their form as necessary e. Pairs of such outlines need to be distinctive as most of the time they will be unvocalised.
This is achieved by changing the R stroke if possible, or adding an additional R stroke. This method is only concerned with producing pairs of different outlines and avoiding bad joins, not with showing the meaning of the prefix or any attempt to reflect the two R's in the longhand: 1.
Change Ray to Ar, this accords with normal vowel indication: relevant irrelevant replaceable irreplaceable retrievable irretrievable religious irreligious 2. If the Ray cannot be changed because a bad join would result, then add Ar to the beginning.
No vowel sign comes between the two R strokes: radiate irradiate reclaimable irreclaimable redeemable irredeemable reducible irreducible rational irrational 3. If unsure about an "irr-" word during dictation, add the extra initial Ar anyway, whether it is correct or not — it will be perfectly legible.
Avoiding hesitation during dictation is the highest priority, but the outline should be looked up and drilled at the first opportunity, so that you are always using the shortest outline available.
R not shown Suffixes -ward -wort -wart -yard. These are unvocalised when used as suffixes. See Theory 10 Halving page for description and examples. Only the hooked form can be halved. When no vowel follows, the P is hardly sounded. It is therefore omitted and a halved Em is used to represent the M P T sound. This reflects the pronunciation and produces a shorter outline.
Do not be misled by the final "-ed" in the longhand spelling, the pronunciation is always the T sound. Jacob takes out a wheelchair for Billy. Come to visit your truck? Jacob: Heh, looks good. You got that dent out. Billy: Actually we came to visit your flat-screen. First Mariners game of the season. Plus Jacob here…keeps bugging me about seeing you again. Jacob: Thanks, Dad. Billy: Just keeping it real, son. Charlie: [brings cans of drinks in both hands] Pale Ale.
Billy: Well done, Chief. Charlie: Good. Bella: Never thought it was. Charlie: Spread the word out at the rez, huh? Keep the kids out of the woods.
Billy: Will do. Edward comes out of the driver seat and opens the door for Bella. They enter the house. Edward: What did you expect? Coffins and dungeons and moats? Bella: No, not the moats. Edward: Not the moats. Emmett: Her name is Bella. Here comes the human. Bella: Oh, um. Edward: Bella, this is Esme, [Emmett in the background waves at Bella with a large knife in his hand. Bella: Buongiorno? Esme: Molto bene! Carlisle: It gives us an excuse to use the kitchen for the first time.
Esme: I hope you're hungry. Bella: Yeah, absolutely. Edward: She already ate. Rosalie: [breaks the bowl she's holding] Perfect! That's very considerate of you. Edward: Just ignore Rosalie, I do. Rosalie: Yeah. Let's just keep pretending like this isn't dangerous for all of us. Bella: I would never…tell anybody…anything. Carlisle: She knows that. Emmett: Yeah, well the problem is Esme: Emmett! Rosalie: No, she should know. The entire family will be implicated if this ends badly.
Bella: Badly as in I, I would…become the meal. Edward smiles. Alice: Hi, Bella! Alice: Hi. Edward: Alice, what are you --? Alice: It's okay. Bella and I are gonna be great friends. Carlisle: Sorry, Jasper's our newest vegetarian. It's still a little difficult for him. Jasper: Pleasure to meet you.
You won't hurt her. Edward: Alright. Uh…I'm gonna take her on a tour to the rest of the house. Alice: Well, I'll see you soon. Esme: [to Rosalie] Clean this up.
Bella: Uh…I don't know. Edward: Uh…yeah. We matriculate a lot. I mean, repeating high school over and over. Edward: True, but the younger we start out in a new place, the longer we can stay there. Come on. Bella: [looks around the room] No bed? Edward: Uh…no I, I don't…I don't sleep. Bella: Ever? Edward: No, not at all. Bella: Okay, hmmm.
What were you listening to. Bella: Clair de Lune is great. They dance for a short while. Edward spins Bella around and she gives him a look. Bella: I can't dance. Edward: Hmm Well, I can always make you. Bella: I'm not scared of you. Edward: [chuckles] Well, you really shouldn't have said that. Edward: [throws Bella over his shoulder, jumps out the door and lands on a tree trunk] You better hold on tight, spidermonkey!
Edward: [climbs up a tree] Do you trust me? Bella: In theory. Edward: Then close your eyes. Edward: What? Bella: This isn't real. This kind of stuff just doesn't exist. Edward: It does in my world. Victoria runs uphill. Charlie: [examines footprint] Human.
So, you…you and Cullen, huh? I mean, you know, he looks at you like you're something to eat. Biology project. Cut back on the steak. Cora: Uh, say Chief, boys want to know [refers to old male customers behind her]. Did you find anything down by Queets River today? Charlie: We only found a bare human footprint. Cora: Okay. Cora: I just hope they catch him fast. Charlie: Looks like your friends are flagging you.
Bella: [turns to see Mike shaking his butt outside the window] Uh. Bella: Me too. Go out. Charlie: Better than any of these other yahoos in town.
Just uh…I leave you alone too much. You should…be around people. You know, spring training. Bella: Yeah? Renee: What?
Bella: Forks is growing on me. Renee: Could a guy have anything to do with that? Bella: Hmmm, huh, yeah… Renee: I knew it. Tell me everything. What, is he a Jock? Is he smart? Renee: Come on, we gotta talk boys! Are you being safe? Bella: How did you get in here? Edward: The window. Bella: Do you do that a lot? Edward: Just the past couple of months. I like watching you sleep. Uhmm…I just wanna try one thing.
You stay very still. Edward pushes Bella onto the bed. The kissing goes wild. Bella: Yeah, I wish I could say the same. Edward: I can never lose control with you. Bella: I have a date with Edward Cullen. Charlie: He's a little old for you, ain't he? Bella: No…he's a junior, I'm a junior. I thought you liked the Cullens. Charlie: I thought you didn't like any of the boys in town. Bella: Edward doesn't live…in town…technically. He's right outside.
Charlie: [looks at the direction of the door] He is? Bella: Yeah, he wanted to meet you…officially. Charlie: Alright, [cocks gun] bring him in. Bella: Could you be nice? Please…He is important. Bella brings Edward in. Charlie stands up. I want to formally introduce myself. Charlie: Baseball? Well, good luck with that. Bella: Yeah, dad. We need an umpire. Emmett: She thinks we cheat Esme: I know you cheat. A lightning strikes. Rosalie hits the ball and runs around the base.
Rosalie glides. Esme takes a look at Bella. Emmett: Out! Carlisle hits the ball and runs. Emmett and Edward both jump in the attempt to catch the ball. They collide in the air and miss the ball. Carlisle reaches a base. Edward and Emmett fall to the ground. They both laugh. Emmett: [pushes Edward] Come on.
Alice throws the ball. Jasper hits it and runs. Emmett climbs a tree, catches the ball and throws it back. Rosalie hits it. Alice suddenly becomes alert. Three figures are moving. Alice spins around to look at the wood. Laurent, Victoria and James are moving towards the field. Everybody runs towards Bella. Edward: Put your hair down.
I could smell her from across the field. Edward: Just be quiet, stand by me. Carlisle: I'm Carlisle, this is my family. Laurent: Our apologies. Carlisle: Yes, well, we maintain a permanent residence nearby. Laurent: Really? We were just passing through. Victoria: The humans were tracking us, but we led them east. You should be safe.
Carlisle: Excellent. Laurent: So…could you use three more players? Oh, come on. Just one game. Carlisle: [glances in Edward's direction] Sure, why not? A few of us were leaving, you can take their place. We'll bat first. Jasper: Oh well I think we can handle that. James and Edward continue their stares. James smells human scent. Esme pushes Bella behind. The vampires crouch like an animal. Carlisle: The girl is with us. I think it best if you leave. Laurent: I can see the game is over.
Edward tries to put on the seat belt for Bella. James is a tracker. The hunt is his obsession. I read his mind. My reaction at the field set him off. Bella: Then what should we do? Edward: We have to kill him, rip him apart, and burn the pieces. Bella: Where are we going? Edward: Away from Forks. Bella: I need to go home, now, okay, you should take me home. Bella: But my dad is there. Bella: Yes, it does! He could get killed because of us! Edward: Just let me get you out of here first, alright.
Bella: My dad, we have to go back! Bella: Edward, I said leave me alone! Edward: Bella, don't do this, please. Get out. Hey, hey, hey! Bella: I just gotta get out of here. I'm leaving, now. Edward is already in the room, helping to pack things for Bella. Edward: You just have to.
Charlie: Break up with you or something? Charlie: I thought you liked him? Bella: Yeah, that's I have to go home. Charlie: Home Your mom is not even in Phoenix. I'll call her from the road. You can sleep on it. If you still feel like going in the morning I'll take you to the airport. And if I, if I get really tired I'll pull into a motel, I promise.
Charlie: Look, Bella, I know I'm not that much fun to be around but…I can change that…we can…do more stuff together. Bella: Like what? Like watch baseball on the flat screen? Eat at the diner every night? Steak and cobbler.
Dad, that's you, that's not me. Charlie: Bella, come on, I just…I just got you back. Bella: Yeah, and you know if I don't get out now…I'm just gonna be stuck here like mom. I told him the same thing that my mom told him when she was leaving him. Edward: Shh… Bella: Why?
Alice is in the car behind us. Bella sees her friends exiting a building and laughing together. They reach the Cullen house. Edward and Bella go inside the house. Edward hisses when Laurent comes down the stairs. He came to warn us. About James. Not easy to kill.
Emmett: But not impossible. Even a sadistic one like James. Rosalie: What if he kills one of us first? Carlisle: No, Edward. Jasper and I will drive her south. Edward: Can you keep your thoughts to yourself? Our Stock Reports. Our Best Ideas. Dividend Reports. Dividend Ideas. High Yield. Comp any. Our Company. Praise for Value Trap. Stock Methodology. Dividend Methodology. VBI Rating Performance. Dividend Performance. Fair Value Performance.
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Students investigate the causes and impacts of pollution in rivers through experimentation. Chapter 2 - Forces. Vocabulary: Predator - an animal that hunts other animals for food.
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